Discovering the Land of High Passes: Ladakh | A Travelogue | Part 2

Pic: A river stream on the way to Khardung village

Written by: Siddhartha Krishnan | 12 Min Read

Prologue:

At these heights, every breath is a test.

The road ahead was more than a journey; it was a measure of ourselves.

***

Video description: On the way to Khardung La Pass

There is a reason Ladakh is called the land of high passes. Of the world’s ten highest motorable mountain passes open to civilians, a staggering six lie here. During our journey, we were set to cross two of them, along with a third that doesn’t figure in the top ten but still holds an impressive 13th place.

All these passes soar well above 5,000 meters. The ones on our route were nearly at the altitude of the Everest Base Camp (5,364 meters above sea level): Khardung La (5,359 m) ranked 10th, Chang La (5,360 m) ranked 9th, and Wari La (5,312 m) ranked 13th. As you can see, the difference in altitude between them is negligible. The current highest motorable pass in the world, Umling La (5,799 m), is also in Ladakh.

But in these mountains, altitude alone isn’t the challenge—it’s the thin air. At Leh (3,500 m), we had already begun acclimatising to just about 65% of the oxygen available at sea level. At these passes, that drops to around 50%. That is why travelers are always advised not to linger too long outside at the top.

On Day 3, our adventure was about to take flight—quite literally—as we prepared to cross our first high pass, Khardung La. Until now, on our second day in Leh, we had traveled nearly 150 kilometres, but the journey was through valleys, without much ascent. The real climb was about to begin. Excitement mingled with nervous energy—we had butterflies in our stomachs—but this was what we had signed up for. And now, there was no looking back.

Day 3: 22nd August 2025 – Scaling Up

We set out after breakfast, a little earlier than usual, around 8:30 a.m. There was much ground to cover before reaching Nubra Valley, where we were to spend the next two nights. The distance wasn’t daunting, about 130 kilometres, but with several planned halts along the way, the drive was expected to take five to six hours. Realistically, we weren’t going to reach our hotel before sunset. The most significant stop en route, of course, was Khardung La, just 40 kilometres from Leh.

A few winding turns through Leh’s streets and within ten minutes we were on the Khardung La road. Since our arrival in Ladakh, the daytime sun had been relentless, blazing down with an intensity that seemed at odds with the altitude. That morning was no different. Yet as we began the climb, the air turned noticeably cooler, and thinner too—we could feel its grip tightening with each breath. The ascent was steep and swift: from 3,500 meters in Leh to over 5,300 meters at Khardung La, all in the space of just ninety minutes.

Pic: Viewpoint on the way to Khardung La

Soon, we arrived at a breathtaking viewpoint and paused to take a few photographs. From there, the vast expanse of Ladakh’s deep valleys stretched endlessly before us, framed by the enormity of towering, snow-capped peaks in the distance. The winding road snaked through the rugged hills, and the cars crawling along it looked like miniature toys scattered across a giant canvas. The sheer scale of the landscape humbles you, a stark reminder of how small we truly are in the lap of nature’s raw and unyielding beauty.

We lingered there for a while, lost in awe, before continuing our ascent. With every turn, that prominent snow-clad peak—always within our sight—drew closer, as if beckoning us higher. Soon, we were level with it, and the smooth tar road gave way to an interlocked one typical of high mountain passes. We had reached Khardung La! The sun blazed brilliantly above, the sky an uninterrupted blue, and a lively crowd had already gathered at this iconic pass.

Khardung La Pass:

Video description: Nearing Khardung La Pass

For travellers on a shorter or weekend visit to Ladakh from Delhi, Srinagar, or Jammu, Khardung La is an unmissable stop, thanks to its proximity to Leh and the promise of snow. For those on longer journeys, like ours, it serves as the gateway to some of Ladakh’s most celebrated destinations. There was no snow that day, but the view more than made up for it. We spent about fifteen minutes soaking in the panorama from the mountain top, quietly proud of having scaled this altitude without a hitch.

It was, in fact, the highest point I had ever been to—surpassing Zero Point in Sikkim at 4,700 metres, which I had been to last year. Naturally, we took plenty of photographs to capture the moment, though we were careful not to overdo it. Our driver had reminded us that fifteen minutes is all one should ideally spend here, given the thin air and low oxygen levels. With that in mind, we began our descent down the Khardung La road toward Khardung village.

Pic: Our group at Khardung La Pass

As we ventured deeper into Ladakh, one striking aspect became clear—the near absence of humanity. The extremes of altitude, terrain, and climate make this vast region thinly populated. Even liberal estimates place Ladakh’s population at just over 3 lakhs, spread thinly across the Union Territory. At present, there are two operational districts, Leh and Kargil. In August 2024, the government announced the creation of five new districts—Zanskar, Drass, Sham, Nubra, and Changthang—but these are yet to become fully functional.

Leh city accounts for around 45,000 residents, while the district as a whole has over 1.3 lakh people, making it the most populated in Ladakh. Scattered across the countryside are small villages, usually clustered near rivers, with a Buddhist temple standing prominently at a vantage point. For those of us used to the bustle of cities, the isolation and silence can feel almost unsettling. This is why I’d recommend experiencing Ladakh in the company of a group—unless, of course, you’re someone who thrives in complete solitude.

Khardung Village:

Video description: At Khardung Village

About forty-five minutes after beginning our descent from Khardung La Pass, we reached the quiet hamlet of Khardung. Our driver pulled over at a roadside eatery on the right called Hor Lam Restaurant. The kids were yearning for a plate of Maggi, while we were longing for a hot cup of coffee. What took us by surprise, however, was not the food but the place itself. For a restaurant tucked away in a nondescript mountain village, it was tastefully done up—exactly what we needed at that moment.

The menu was modest but the service pleasantly efficient. It was here that we stumbled upon something unexpected—a juice made from sea buckthorn, a wild orange berry native to Ladakh. Rich in vitamin C and omega fatty acids, it is known locally for its nutritional benefits. The flavor was distinct—tangy, citrusy, with a sharp tartness—unlike anything I had ever tasted before.

Pic: At Hor Lam restaurant in Khardung village

For half an hour, the place became our little oasis—perfect to unwind before we continued our journey on the Khardung La road towards Nubra.

Khalsar:

About an hour later, we neared the village of Khalsar, where the cold deserts of Ladakh began to reveal themselves. Despite the name, it wasn’t particularly cold at one in the afternoon, but the stark, sweeping dunes made their presence felt. Our cars pulled into the Desert Himalaya Adventure Park, a hub for adventure activities ranging from ATV rides to ziplining. Hunger pangs made us hesitant at first, but the sight of the dunes was too tempting to resist.

Pic: ATVs on the sand dunes in Khalsar

The kids were thrilled by the ATV rides across the sand dunes, which offered just the right mix of excitement and challenge. The desert landscape here has even caught the eye of filmmakers—it was one of the shooting locations for the film Bhaag Milkha Bhaag. For photography enthusiasts, the afternoon light provides endless opportunities for dramatic frames.

But beauty here comes with its own demands. The climate is harsh, and the dry desert air can dehydrate you quickly. So keep sipping water regularly.

Pic: Shooting location of Bhaag Milkha Bhaag

After our little adventure, we were now completely famished. Thankfully, the village of Khalsar was just ten minutes away—and so were its restaurants. All we craved for was a patch of shade and something cool to drink. But before we could give in to hunger, our driver reminded us of a go-karting track in the village. That was enough to send the kids into a fresh wave of excitement.

At the counter, we learned that children had to be accompanied by adults and couldn’t drive on their own. Which meant the reluctant fathers suddenly found themselves behind the wheel. The track looked inviting, but what followed was perhaps the slowest set of laps ever recorded. Our efforts were met with jeers and amused smirks from our wives, while the kids looked delighted just to tick off another item from their own little bucket list.

Pic: Pit stop at Khalsar

Finally, we decided we had earned our right to shade and food. Khalsar has a line of restaurants, and we picked the one with the biggest crowd, assuming that meant better food. The downside, of course, was the wait—we spent nearly an hour before anything reached our table. That’s something to remember in Ladakh: unlike in cities, most restaurants don’t keep dishes pre-cooked. Everything is made fresh, which makes sense given the unpredictable flow of visitors. Menus, too, are usually simple and familiar—fried rice, noodles, momos, parathas, dal and rice—though this particular place offered a few extras. The food itself was decent enough; given our state, we would have gladly eaten anything that day. The kids, being more adventurous, ordered pancakes but regretted it soon after and returned to the comfort of noodles.

By the time the clock struck three, we still had two more places to cover. Our next stop was the Diskit Monastery, about thirty minutes from Khalsar.

Diskit Monastery:

Pic: The Buddha statue at Diskit Monastery

Perched at a vantage point, the monastery is both imposing and serene, offering sweeping views of the Nubra Valley. Founded in the 14th century, it belongs to the Gelugpa sect—the youngest of the four major schools of Tibetan Buddhism. The highlight here is the towering 33-metre statue of Maitreya Buddha, which seems to watch over the valley with calm benevolence. Cars can drive right up to the parking area near the entrance, and from there a short walk leads into the sanctum. Even so, the afternoon heat had left us drained, and we found ourselves reaching for cold drinks and fresh juices after exploring the monastery.

Sand Dunes, Hunder:

Pic: Our boy dressed up as a cute Ladakhi boy at Sand dunes, Hunder

The final stop for the day was the famous sand dunes at Hunder, just ten minutes from our hotel in Nubra. It was 4 p.m., and we decided to visit before checking in. The heat had softened by then, and a cool breeze swept across the valley. The dunes stretched before us, but with a water body, this place was an oasis. Near the parking area, a small stall sold souvenirs, and a group of local women greeted us warmly—though rather assertively—by dressing my wife, son, and me in traditional Ladakhi attire. Any hesitation on our part quickly gave way to laughter, and in the end, it turned into a delightful photo-op. My son, I must admit, looked the part best, while I found myself distracted by a playful puppy that insisted on my attention. As a dog lover, I was only too happy to oblige, even if it meant fussing over a pup while dressed head-to-toe in Ladakhi clothes.

As we wrapped up our impromptu dress-up session, the women broke into local songs, turning the place into a little carnival for the evening tourists who were starting to arrive. Our legs, however, had given way after a long day, so joining in wasn’t an option. But there was still one more experience we couldn’t leave without—a camel ride on the sand dunes.

Pic: Bactrian Camels at Sand Dunes, Hunder

Nubra Valley was once a vital artery of the Silk Road, connecting India with Central Asia and Tibet. Caravans passed through here centuries ago, carrying goods, stories, and traditions. The Bactrian camels—with their two humps—are living reminders of that past. Brought here in the 19th century by traders from Yarkand in present-day China, their descendants still roam the valley today.

For ₹500 per person, tourists can take a twenty-minute camel ride across the dunes. The children were more than eager, and after some gentle persuasion, even my mother decided to give it a try. The only tricky bit is holding on when the camel rises to its feet or lowers itself for you to disembark—but otherwise, it felt surprisingly safe. In the end, the riders returned with wide smiles and a sense of contentment.

Video description: Camel back ride at Sand Dunes, Hunder

By now, the sun was dipping behind the mountains, casting the valley in shades of gold and pink. We had covered everything on our list for the day. All that remained was rest and a hearty meal. We reached our hotel—Sand Dunes Retreat—just at sunset. Check-in was quick, and before dinner, we gathered around a bonfire. Under a canopy of stars, with a cool night breeze and a few drinks in hand, we spent an hour recounting the adventures of the day and talking about what awaited us next. It was the perfect end to a long, eventful day on the road to Nubra Valley.

Pic: Bonfire at our hotel in Nubra

Coming up in Part 3:

We visit the last northern most village of India, Thang, near the POK border, which was seized from Pakistan in the 1971 war. We also visit the famous Turtuk village, not too far from the border, that gets many foreign tourists, known for its Balti culture that is distinct from Ladakhi culture. This and more in the next part. So stay tuned!

***

About the author:

Siddhartha Krishnan is the author of ‘Two and a Half Rainbows – A Collection of Short Stories’. An enthusiastic blogger he shares his articles, essays, travelogues, book and movie reviews on his blog (www.whatsonsidsmind.com).

All rights reserved by http://www.whatsonsidsmind.com

Discovering the Land of High Passes: Ladakh | A Travelogue | Part 1

Pic – Viewpoint en route to Khardung La from Leh

Written by: Siddhartha Krishnan | 14 Min Read

Prologue:

There are journeys that take you to a place, and then there are journeys that take you out of yourself. Ladakh is one of those rare lands where every turn of the road feels like a threshold into another world. This is the story of our 10 days in that otherworldly realm.

***

Preparing for the Worst:

In the weeks leading up to the journey, we found ourselves oscillating between excitement and unease. Doctor consultations, a small pharmacy of medicines, and contingency Plans A, B and C became our safety net against the unknown. Yet, the more we read, the heavier the anxiety grew. None of us—my wife, my mother, or I—were in the pink of health, and that only deepened the doubts. Should we begin Diamox two days before the flight? What if the side effects hit harder than the altitude? Would our bodies withstand the sudden plunge into rarefied air? And beyond health—what if landslides or floods cut us off mid-journey? These questions clouded our minds right until D-day. In the end we had none of those medicines before leaving.

Day 1: 20th Aug 2025 – Learning to Breathe All Over Again

Pic – View from our hotel in Leh

Landing at 3,500 meters above sea level, you realize almost instantly that the normalcy you take for granted has to shift — beginning with something as fundamental as breath. We touched down at Leh’s Kushok Bakula Rimpochee Airport around noon, the sun blazing overhead, and even the short walk to the parking lot felt like a slow trudge. Our cab driver, Sonam, gave us the first and perhaps most important piece of advice: keep sipping water. In the dry, cold air of high altitude, fluid loss happens faster, and dehydration is a quick trigger for AMS (Acute Mountain Sickness) — something we’d read about extensively before setting off. His reminder was a gentle nudge that here, you have to listen to your body, respect its limits, and ease into the 2-day process of acclimatization in Leh.

We were four: my wife (Kavita) and I, our ten-year-old son (Advay), and my 62-year-old mother (Meera) — who wears sweaters even in Bangalore’s 20°C nights. Here, we were bracing ourselves for sub-zero nights. But this wasn’t a solitary adventure. A classmate (Subhajit) from my MBA days had made a last-minute decision to join, arriving with his wife (Swati), and daughter (Adrija) that very morning. Together, our little group was about to begin a journey that we weren’t going to forget in our lifetime.

Pic – Our stay at Leh – Ladakh Himalayan Retreat

As we stepped out of the airport and into Leh, the landscape unfolded in all its stark grandeur. An expanse of arid land stretched out before us, hemmed in by rocky, rugged mountains. Those in the distance rose higher still, their snow-capped peaks gleaming under the sharp sunlight. During our descent, we had caught fleeting glimpses of the mighty Karakoram and Zanskar ranges, though heavy clouds had veiled them from view. But here, under the blazing Leh sun, the mountains stood unveiled—clear as day.

Having left home at 4 a.m., all we craved by then was a hot shower and the embrace of a warm bed. Fortunately, our hotel, Ladakh Himalayan Retreat, was barely ten minutes from the airport. A smooth check-in, a cheerful hello to our friends—already refreshed from their siesta—and we were ready for a quick lunch before surrendering to sleep. The first day in Leh is never about adventure; it is about yielding to the altitude, slowing down, and letting the body find its rhythm. Light meals, steady hydration, and deep rest became our only itinerary.

The key during acclimatization is to stay alert to the body’s whispers before they grow louder. Discomfort can surface in many forms—an innocent headache, a wave of dizziness, a touch of fever, or nausea. Each body responds differently, and it’s often the smallest symptom that goes unnoticed. The best remedy is simple: rest, eat light—preferably a fluid-based diet—and give the body time to settle into this alien altitude. Calmness is half the cure. Listen to the advice of drivers and hotel staff; they’ve seen enough stories of travelers struggling at this height to know what matters. Still, remember—such cases are the exception, not the rule. One in ten, perhaps. And in the rare event of trouble, you are never far from help. Drivers carry oxygen cans and basic medicines, can arrange for oxygen cylinders on request, and most hotels in Leh keep these essentials within reach.

After an hour’s rest, we gathered in one of the rooms over tea and snacks. It had been a while since we had last met, and in many ways this trip was a reunion—my wife, my friend, his wife, and I had all been classmates during our MBA days. The air was laced with a restrained excitement, waiting to spill over, yet undercut by a quiet nervousness. We were all past forty now, no longer as sprightly as in our college years, and altitude is a risk that spares no one. That evening, we drew up a plan together—with the unspoken caveat that if anything went wrong, we had each other’s backs. Better to be cautious than reckless. We agreed to scale down our ambitions if needed and follow the itinerary suggested by our cab drivers for the next day: a measured round of sightseeing spots close to Leh, spread over a manageable 150 kilometers.

Pic – At the dinner table on Day 1

Our hotel, just a few kilometres from both the airport and the charming Leh market, was tucked away in a maze of alleys lined with similar lodgings. It had come recommended by our driver, and we decided to give it a shot. The choice turned out well—spacious, clean, and cosy rooms with all the essentials, and a meal plan that included breakfast and dinner. Like most hotels in Leh, it had neither ceiling fans nor air conditioning—hardly necessary in this climate—but a portable standing fan helped with the warm afternoons. When we arrived, the sun was sharp and the air unusually hot, but Leh’s weather is a fickle companion; it can swing dramatically, with temperatures plummeting without warning. That evening, we settled for an early dinner. The buffet was far from extravagant, yet the food was hearty, tasty, and thoughtfully inclusive of dishes for children—enough to leave us content.

We turned in early for the night, hoping to catch up on some much-needed rest after spending the better part of the day in airports. But sleep proved elusive—at least for me. I found myself waking up multiple times, restless and uneasy, without immediately understanding why. It was only later that I realized how the thinner air at this altitude affects even the simple act of breathing during sleep, leading to what I later learnt—thanks to a quick search—as hypobaric hypoxia. There wasn’t much to do except wait it out until sleep claimed me again. By morning, I discovered I wasn’t alone—my friends too had been kept awake by this subtle but unnerving reminder of Leh’s rarefied air.

***

Day 2: 21st August 2025 – Stepping Out

The breakfast buffet the next morning was simple yet satisfying. Hunger pangs kicked in, and we ended up eating more. After a relaxed, unhurried meal, we set out around 9 a.m.

One of the first things you notice in Leh—and across Ladakh—is the unmistakable presence of the Indian Army. It’s hardly surprising, given the region’s turbulent history and the fact that this newly declared Union Territory shares sensitive borders with both Pakistan and China. We were to learn much more about this in the days ahead, but our first stop that morning set the tone: the Hall of Fame, the War Memorial located right in the heart of the city.

Hall of Fame: War Memorial

Video description: Entrance of the Hall of Fame, War Memorial at Leh

The museum is a tribute to the soldiers who laid down their lives in the Indo-Pak wars. Inside, it houses preserved artefacts, weapons, and equipment seized in battle, along with a poignant section dedicated to Siachen. For anyone with an interest in war history or the Indian Army, the place is a trove of stories and relics. Yet, it’s only one of several war memorials scattered across Ladakh, each with its own story.

That day’s highlight, however, was an impassioned address by an army veteran who had himself seen action in these mountains. With a fiery voice and deep conviction, he recounted tales of courage from the ’71 war and the Kargil conflict of ’99—both etched in the landscape of Ladakh. His words stirred goosebumps in the crowd and drew tears from more than a few eyes.

Pic: Enemy weapons seized by the Indian Army in battle

If you happen to be in Leh in the evening, the memorial also hosts a sound-and-light show that is well worth attending. Managed and maintained by the Army, the Hall of Fame is not just a museum—it’s a living reminder of the sacrifices that continue to shape this land.

We spent about an hour at the museum, and even picked up tickets for the evening sound-and-light show. Soon after, we were back on the road, taking NH1 as it gradually led us out of the city. With every passing kilometre, the landscape seemed to expand around us. The sheer magnitude of it all suddenly struck—the vast, arid stretches of dusty land, rugged mountains rising on every side, and the mighty Indus flowing alongside, twisting and turning yet somehow keeping pace with us throughout.

The climate, much like the terrain, is a study in extremes. Even at a modest 22°C, the sun scorched the skin, reminding us why sunscreen and sunglasses are not optional but essential companions here. There’s a rawness, almost a brutality, to the elements in Ladakh—yet all of it is wrapped in a breathtaking beauty that commands both awe and respect.

Guphuk’s Viewpoint:

Pic – Guphuk’s View Point

After a short drive, we arrived at Guphuk’s Viewpoint, a vantage spot that opened into sweeping views of towering mountains and lush valleys. Serene and picturesque, it’s the kind of place that seems made for photographers and nature lovers alike. We lingered a while, soaking it in and capturing a few candid moments against the backdrop of this grand, untamed canvas.

We continued along NH1 under the blazing sun as it edged closer to midday. About half an hour later, we arrived at Pathar Sahib Gurudwara.

Pathar Sahib Gurudwara:

Pic – At Pathar Sahib Gurudwara

According to legend, Guru Nanak himself visited this site. Folklore tells of a demon who once tormented the people of this region. When the Guru was deep in meditation, the demon hurled a boulder at him in an attempt to kill him. But instead of causing harm, the stone turned soft like wax. In a fit of rage, the demon kicked it—only to find his leg trapped. Realising his folly, he sought forgiveness, and Guru Nanak advised him to dedicate his life to serving mankind if he wished to find peace.

Even today, devotees can get a glimpse of this sacred stone inside the Gurudwara. Photography is strictly prohibited within the sanctum, and as with all Sikh places of worship, visitors are expected to cover their heads and wash their feet before entering.

Magnetic Hill:

Video Description: Reaching Magnetic Hill

Just a stone’s throw from the Gurudwara lies the curious Magnetic Hill. Here, the terrain creates an optical illusion—what actually is a gentle downhill slope appears to rise uphill. Park your car in neutral at the marked spot, and it seems to defy gravity by rolling uphill—only, in reality, it’s moving downward, masked by the deceptive topography and lack of a visible horizon. Scientifically, it’s a classic “gravity hill,” not magnetism at work.

Sangam Point:

Video description: At Sangam, the confluence of the Indus and Zanskar Rivers

About ten minutes from Magnetic Hill, we reached Sangam Point, the confluence of the Indus and Zanskar rivers. What makes this spot truly special is the opportunity to view the meeting of the rivers from strikingly close quarters. On most days, the Indus carries a clear shade of blue while the Zanskar flows in a muddier green, creating a dramatic contrast where the two merge. But in August, with rains and landslides feeding the streams, the Indus too had taken on a muddy hue—yet the sight was no less captivating.

We lingered for nearly half an hour, letting the quiet energy of the place wash over us. Watching the waters of these two mighty rivers mingle felt almost like witnessing a natural symphony. For those seeking adventure, activities like zip-lining, rafting are also offered here, adding another dimension to the experience.

Alchi Kitchen:

Pic: Our table at Alchi Kitchen

Our last stop for the day was Alchi Monastery, about an hour’s drive away. But before that, we paused for lunch at a charming little restaurant just beside the monastery—Alchi Kitchen. Run entirely by women, it has carved a niche for itself in Ladakhi cuisine, offering a true farm-to-fork experience with creative twists on traditional dishes. For a group of famished travellers, it felt like stumbling upon exactly what we needed. We sampled a variety of vegetarian and non-vegetarian dishes, each exquisitely presented and bursting with flavour. It was a one-of-a-kind experience, one my wife had long kept on her Ladakh bucket list, and it turned out to be every bit as rewarding for all of us. The restaurant buzzed with a steady flow of visitors, conversations flowing easily over food and the shared wonder of Ladakh’s landscapes.

Alchi Monastery:

Video description: The lane leading to Alchi Monastery

With contented stomachs, we took a short walk to the monastery. Unlike many others in Ladakh, Alchi does not demand a steep climb to reach its temple. Instead, a quaint lane led us in, lined with little shops offering souvenirs and local handicrafts. The monastery itself exuded serenity, its Tibetan Buddhist architecture radiating a quiet grace. In the stillness of its courtyards and prayer halls, we found the perfect note on which to end our first day of exploration.

By 4 p.m., we were back at our hotel. That evening, we attended the Sound and Light show at the Hall of Fame War Memorial. Spanning an hour, the show takes you through the many battles fought in Ladakh, honouring the courage and sacrifice of the soldiers who laid down their lives to protect our borders. While it was engaging, I felt that listening to such stories firsthand from a soldier, as we had that morning, carried a deeper impact. Yet, with army jets roaring into the night sky as the backdrop, the show still stirred a profound sense of patriotism within us. It was good end to the day.

Our bodies, though tested, were holding up well. We felt ready—cautiously so—for the adventures that awaited in the days ahead. Ladakh had already begun to reveal its stark beauty and quiet challenges, and we couldn’t wait to discover what lay beyond.

Coming up in Part 2:

Next, we travel to Nubra Valley passing through the famous Khardung La Pass at an elevation of 5359 meters above sea level. We see the cold deserts of Ladakh and take a ride on Bactrian camels which was introduced to the region in the 19th century from Central Asia. The valley is part of the ancient silk roads that connected this region with Central Asia. Later, we go to Thang the last village of India, near the LOC (POK-India border) and also visit Turtuk, another village close to the border with its own unique history.

Coming soon! So stay tuned!

***

About the author:

Siddhartha Krishnan is the author of ‘Two and a Half Rainbows – A Collection of Short Stories’. An enthusiastic blogger he shares his articles, essays, travelogues, book and movie reviews on his blog (www.whatsonsidsmind.com).

All rights reserved by whatsonsidsmind.com

Man’s Oldest Ally, Humanity’s Newest Betrayal

(Pic description: the remains of a faithful dog of a long-vanished breed who was buried more than 8,400 years ago beside his master in a grave in Sweden. Pic credit: dailymail.co.uk)

Written by: Siddhartha Krishnan | 5 Min Read

The story of human evolution is incomplete without the story of the dog. Few realise how profoundly this animal has shaped our journey from hunter–gatherers to modern society. At every stage of our history, they have been there, watching, guarding, and walking alongside us.

Dogs were not a gift from the heavens; they were a creation of our own making. We took one of nature’s most formidable predators, the wolf, our competitor for food and territory, and reshaped it. We played God. Through selective breeding, we transformed the wolf into a companion uniquely suited to human needs. The result was a creature that could guard our homes, protect us from wild animals, charge into battle with us, detect illnesses we did not know we had, and lift our spirits when we are at our lowest. Caregiver, protector, sentinel, confidant, above all, friend.

This is not a short chapter in our shared history. Scientific evidence traces dog domestication back at least 15,000 years, with some archaeological finds suggesting it could be as far back as 30,000 years. Dogs were the first species we domesticated, long before livestock or crops entered the human story. In evolving with us, they have learned to read us in ways we can barely comprehend, sometimes better than we understand ourselves.

And yet, for all this history, we are in danger of betraying them. In a deeply unsettling move, the Supreme Court has ordered that every stray dog across Delhi-NCR be rounded up, sterilised, vaccinated, and permanently housed in shelters within eight weeks—no dog may be released back into the streets. The directive comes amid alarming rises in bite cases and rabies threats, especially to children.

(Pic credit: The Hindu)

However, this directive by the top court should not come as a surprise. It was in the offing, for it is convenient to round up strays, confine them to pounds, and without the budget to sterilize and vaccinate secretly cull them. Its easy because they cannot retaliate. Meanwhile, murderers, rapists, thieves, drug peddlers, and rioters walk our streets with impunity, protected by laws, political interests, and human networks. We tolerate that depravity. We can excuse that apathy. But stray dogs are easy targets.

The current directive to remove them en masse is the easy, lazy route. But here is the truth: it will not solve the problem. For as long as humans exist, dogs will remain beside us. In the remotest villages, in deserts and snowbound mountains, in tribal forests, and of course in cities, wherever there is human settlement, there will be dogs. They have evolved that way. They cannot live without us. What we fail to grasp is that, in many ways, we cannot live without them.

Dogs provide invisible services: guarding homes, deterring wild animals, alerting communities to danger. They protect us not only from other humans but also from the threats of the natural world. Yes, there are incidents of bites, even rare cases of mauling. But how do those numbers compare, percentage for percentage, to the violence humans inflict on each other and on every other species we share this planet with?

There is also the matter of education. Communities, especially children, need to be taught how to behave in the presence of animals. Much of what we call man–animal conflict is rooted not in aggression, but in ignorance. A lack of understanding of animal behaviour can turn an avoidable situation into a dangerous one. The absence of any sustained awareness programmes by civic authorities only aggravates the problem.

(Pic credit: National Geographic)

Most of us are unaware of what the Animal Birth Control (Dogs) Rules, 2023 mandate, what the Animal Welfare Board of India’s Housing and Society Guidelines require, or what the Board prescribes for the feeding and care of strays. Even fewer know the protections guaranteed under the Prevention of Cruelty to Animals Act, which makes harming an animal a punishable offence. This ignorance leaves people vulnerable to misinformation and strips animals of the protection the law already provides them.

We litter the streets, drawing strays to scavenge. We fail to enforce sterilisation, vaccination, and monitoring programmes that could humanely control their numbers. Some pet owners, out of negligence or convenience, abandon their animals, fuelling the cycle further. The fault is ours, not theirs.

To cast aside a dog today is like telling a childhood friend to leave because you no longer have the time or mental clarity to engage with them. The bond between humans and dogs is not a casual arrangement; it is one of the oldest partnerships in history. Breaking it is more than a betrayal of trust, it is a denial of who we are.

If we forget the dog’s role in our rise, we risk forgetting the very traits that made us human: loyalty, cooperation, and trust. In doing so we may be digging our own grave.

***

About the author:

Siddhartha Krishnan is the author of ‘Two and a Half Rainbows – A Collection of Short Stories’. An enthusiastic blogger he shares his essays, travelogues, book and movie reviews on his blog (www.whatsonsidsmind.com).

All rights reserved by http://www.whatsonsidsmind.com

***

Movie Review | Absurd, Unsettling and Hilarious: Sanctuary Hijacks your Brain in 90 Minutes

Written by: Siddhartha Krishnan | 2 Min Read

It takes Sanctuary (trailer) about 40 minutes, from posturing as absurdist fiction, to transform into a no-holds-barred psychological revenge drama cum rom-com — if that makes any sense. It’s a template I haven’t seen before, a plot so out of whack it’s like discovering a dinosaur fossil on the moon.

The story follows Hal, who is about to inherit his father’s multi-million-dollar hotel chain after his untimely death. Before that, he wants to end his long-term, secret relationship with a dominatrix, Rebecca — something she had no clue was coming. What follows is a psychological game between the two, in a hotel room, where Rebecca seems to have the upper hand.

The screenplay is dominated by long conversations that take a while to make sense. But they’re entertaining, and above all, they are probes into the human mind and the lengths it will go to once the survival instinct kicks in.

For a film that was shot in just 18 days Sanctuary is hilarious, outlandish, unsettling, and jaw-dropping. Christopher Abbott and Margaret Qualley are brilliant in their roles. Most of the acting is shot in tight close-ups, and Qualley kills it whenever she’s on screen. Her range is truly a gift.

Make no mistake Sanctuary is not for everyone, but if you like absurdist fiction, mind benders, films that don’t fit into a specific genre, or ones that subvert genres, give this a go. At just 90 minutes, this is an intelligently written, brilliantly acted laugh riot that churns your stomach, leaves you in splits, and makes you question: What have I just watched?

Verdict:

IMDb rating: 6.2/10
My rating: 3.5/5

Sanctuary is streaming on JioHotstar in India.

***

About the author:

Siddhartha Krishnan is the author of ‘Two and a Half Rainbows – A Collection of Short Stories’. An enthusiastic blogger he shares his essays, travelogues, book and movie reviews on his blog (www.whatsonsidsmind.com).

Mountainhead | Movie Review | Whatsonsidsmind

Written by: Siddhartha Krishnan | 2 Min Read

Mountainhead begins with four tech giants meeting at a remote mountain mansion, owned by Souper or ‘Soup’, the poorest among them, in the wake of a global upheaval caused by a new generative AI, launched by Venis, the richest among them, who is also the richest man in the world. The quartet is completed by Jeff, another AI wonderkid, and the older Randall, a sort of mentor to all. Though the gathering is meant to rekindle old bonds between the self-proclaimed ‘Brewsters’, each arrives with his own agenda. As they attempt to make sense of the chaos unfolding outside, they also vie to shape the future of humanity, drawing on each other’s minds, ambitions, and secrets.

One of the most brilliant scenes in the film unfolds when Jeff questions Venis about the sectarian violence and genocidal attacks inadvertently triggered by his new generative AI. Ven responds with a disarming analogy: he recalls how, when people first saw a train on a movie screen, they ran out of the theatre in fear. But filmmakers didn’t stop making movies—they made more. “Show more,” he says, “until everyone realizes that nothing is that f**king serious. Nothing means anything, and everything is funny.”

This moment captures the essence of Mountainhead—its dark, absurdist satire and the way it confronts our current anxieties with a disturbingly casual shrug. It’s both chilling and hilarious.

Directed by Jesse Armstrong, the Emmy and Golden Globe-winning creator of Succession, Mountainhead moves with the pace of a thriller, though what unravels isn’t action, but intention. It delves into the twisted psyches of four tech geniuses, forced into a tense chamber drama where tolerance is the only currency left.

Despite its psychological weight, the film’s tone remains largely satirical throughout its under-two-hour runtime. There’s plenty to read between the lines, but Armstrong, who also wrote the screenplay, deftly keeps the atmosphere light, even as the story descends into its darkest moments. What stays consistent is the film’s keen study of powerful, hyper-successful individuals who have grown dangerously detached from reality—mirrored perfectly by the opulent, isolated retreat where they’ve chosen to gather.

Verdict:

In the midst of ongoing discussions about AI, who controls it, and whether we have a future with or despite it, this film is an essential watch.

You can watch Mountainhead on JioHotstar in India.

My rating: 3.5/5

***

About the author –

Siddhartha Krishnan is the author of ‘Two and a Half Rainbows – A Collection of Short Stories’. An enthusiastic blogger he shares his articles, essays, travelogues, book and movie reviews on his blog (www.whatsonsidsmind.com).

Wayanad Diaries | Banasura | Vythiri | Travelogue | YouTube Short

My family and I undertook a short trip to the picturesque hill station of Wayanad in Kerala last week. In this YouTube short I have tried to capture some of our experiences. This journey from Bangalore took us through 3 wildlife sanctuaries. Two of which were tiger reserves.

Please do have a look. (Click link)

YouTube Short

Thanks,

Sid

Khauf Review: When Real Life Is the Real Horror

Written by: Siddhartha Krishnan | 7 Min Read

(You can watch the YouTube review of this web series here – http://bit.ly/3GDQ0KK)

In my opinion, the scariest pieces of cinema are those that portray reality in imaginary worlds. While the horror genre offers the fluidity to blend the real with the unreal, it is often the stories grounded in real-world settings, characters, and societal decay that manage to terrify the most. These films give the audience the unsettling feeling that something from their familiar world has seeped into the imagined world of horror. This could be a room in an opulent house in Georgetown, Washington D.C., where a little girl is possessed by the devil himself (The Exorcist, 1973), or the remote Overlook Hotel in Colorado, with its bloody past and isolated winters, maintained by a lone caretaker (The Shining, 1980). Closer home, it could be a room in a government women’s hostel on the outskirts of Delhi, haunted by a ghost and steeped in everyday fears (Khauf, 2025).

In The Exorcist, while the central plot revolves around an exorcism within a single room, it is also the story of a mother willing to go to any lengths to save her daughter. In The Shining, though the Overlook Hotel becomes a sinister character in its own right, steeped in a violent past, the heart of the film lies in a man battling his own psychological demons—who ultimately succumbs to the hotel’s dark influence and turns against his family. In Khauf, a young woman from a smaller city in India, carrying the scars of a brutal sexual assault, comes to the capital in search of freedom, only to find that the suffocating male gaze offers none. She becomes easy prey for a ghost that haunts a hostel room, an evil spirit that feeds on her vulnerability.

It is through this lens—where horror emerges not just from the supernatural, but from the all-too-real fears rooted in our society, that I will be reviewing Khauf, perhaps one of the finest horror web series to come out of India in recent years.

The Story

Khauf centers around a young woman named Madhu (Monica Panwar), who escapes from Gwalior to be with her boyfriend in Delhi. Haunted by a traumatic past—she was brutally assaulted by a group of men—Madhu sees Delhi as a chance to leave those memories behind. But she soon realizes it’s not as easy as she hoped. The city’s constant male gaze feels like the ghost of her past, relentlessly following her.

Uncomfortable living in a flat shared by her boyfriend and his male friends, she moves to a hostel on the outskirts of the city. Only one room is available—the one that once belonged to a girl who reportedly died in an accident. The four other women on the floor harbor a dark secret. They are trapped by a sinister presence that won’t let them leave the hostel, and they believe the evil spirit resides in that very room. Fearing the spirit will possess Madhu and unleash terror on them all, they try to stop her from staying there.

But Madhu refuses to give in to their warnings. With no one else to turn to, the room is her only shot at survival.

Screenplay and Technical Aspects

Khauf weaves together multiple subplots that converge in the end. There’s Madhu’s central story, the individual backstories of the four hostel mates on her floor, and the mystery of the dead girl who once lived in her room. Alongside these, there’s the hostel warden’s friend—an alcoholic police officer, a woman who frequently visits the hostel to drink with the warden, while secretly searching for her missing son, whom she believes has fallen into the wrong hands. Adding to the mix is a mysterious hakim living in the dingy alleys of Old Delhi, who preys on the souls of vulnerable women to prolong his own life. All of these threads eventually tie into Madhu’s journey and play a crucial role in the climax.

As hinted earlier in my review, Khauf wouldn’t be half as terrifying without its real-life parallels. The series holds up a mirror to society in ways rarely seen in recent Indian storytelling, whether on OTT platforms or in theatres. It doesn’t rely on monologues or moralizing speeches. Instead, it quietly reveals the everyday reality of being a woman in Delhi—on buses, at workplaces, even in spaces presumed to be safe. Judgment, harassment, and constant surveillance are routine, and they carry consequences. This creates a toxic environment where crime festers.

The real-life monsters in Khauf far outweigh the supernatural ones. It’s this chilling parallel between the horrors of the real world and the supernatural that makes the show deeply unsettling, and at times, hard to watch.

That said, Khauf isn’t an edge-of-the-seat horror flick. It moves deliberately, simmering with tension, and landing its punches at the right moments. Some might call it a slow burn, but I never found it dull. The screenplay kept me anticipating something unexpected, and when those moments arrived, they were rewarding. Although, these aren’t your typical horror beats. But the series still delivers its share of jump scares, gore, and supernatural elements to keep horror fans engaged. Much of the credit goes to writer Smita Singh (Sacred Games, Raat Akeli Hai), cinematographer Pankaj Kumar (Tumbbad, Haider, Ship of Theseus), and production designer Nitin Zihani Choudhary (Tumbbad, Kalki 2898 AD).

The writing, for the most part, is engaging. While some critics have rightly called out the lore elements as unclear, these are rare missteps. Where Khauf truly shines is in the seamless blending of the real and the supernatural brought to life through striking imagery and meticulous execution. The sequencing of events and how they converge in the end is satisfying to watch.

The production design, in particular, sustains an atmosphere of dread even when scenes aren’t overtly grotesque. There’s a constant sense of gloom and impending danger—the hallmark of effective horror storytelling.

The Performances

Khauf wouldn’t be nearly as affecting without its stellar performances. The casting is pitch perfect. Apart from the menacing presence of Rajat Kapoor, a familiar face, the rest of the cast may not be household names, yet they carry the film with remarkable strength. Monica Panwar, as Madhu, delivers a standout performance, balancing vulnerability and quiet resilience with striking authenticity.

The supporting cast is equally compelling: Chum Darang as Svetlana, Geetanjali Kulkarni as Constable Ilu Mishra, Shalini Vatsa as the stern yet layered warden Gracie, Priyanka Setia as Rima, Rashmi Mann as Nikki, and Riya Shukla as Komal. Each of them brings depth and nuance to their roles, making the characters not only believable but deeply human.

Verdict

In an era where horror storytelling, whether on web or in theatres, often leans on tired tropes like jump scares, gore, folklore, and a parade of ghosts, goblins, witches, vampires, yakshas and yakshis, often diluted with humor or drowned in grotesquery, Khauf stands apart. It uses many of these familiar elements, yet tells an original, deeply human story, one that terrifies not because of what’s imagined, but because of how much it borrows from the real world.

It feels as if the true monsters of life have possessed the supernatural ones. And that’s what makes Khauf truly unsettling. It provokes thought, evokes empathy, and scares in equal measure.

For that, it absolutely deserves a watch.

Khauf is streaming on Amazon Prime Video in India.

IMDb rating: 7.6/10

My Rating: 4/5

***

About the author –

Siddhartha Krishnan is the author of ‘Two and a Half Rainbows – A Collection of Short Stories’. An enthusiastic blogger he shares his articles, essays, travelogues, book and movie reviews on his blog (www.whatsonsidsmind.com).

My Movie Reviews are Now on YouTube! | Announcement | Whatsonsidsmind

Dear All,

Just barging into your feed to make a quick, small announcement. My film reviews are now available on my YouTube channel. I’ve chosen to do so to connect with a larger audience who prefer the visual medium. At the same time, I thought it’s a good way for them to be introduced to my blog. So hoping it works both ways.

So far I’ve uploaded two reviews; that of Adolescence and A Real Pain. Hoping to upload a lot more in the coming days. I am sharing the links to both these reviews below –

Adolescence – https://youtu.be/uIe2FT9t90U?si=tRQxfdgmF0v89DOj

A Real Pain – https://youtu.be/_enAzehioT8?si=dPuADHTKmOduxDqQ

Do check out these videos, and subscribe to my channel if you like what you see.

Thank you for your support as always.

Much love,

Sid

Family, History and Heartache: Why A Real Pain Stays with You

Written by: Siddhartha Krishnan | 3 Min Read

The problem with reviewing a film like A Real Pain is that it’s easy to get swept up in over-intellectualizing every aspect of it. In doing so, there’s a risk of missing the quiet simplicity the film also exudes. That said, it’s hard to put into words exactly what this film does to you as an audience.

The story begins at the airport, where David and Benji are about to board a flight to Poland. The brothers have planned a Jewish heritage tour, funded by money left to them by their late grandmother. Through this journey, they hope to reconnect with their Jewish roots and confront the horrors of the Holocaust that their grandmother survived. Their itinerary includes a visit to the home she once lived in and was forced to flee from during the war.

But beyond tracing their grandmother’s past, the brothers—once close—also hope to rebuild their own fractured relationship. Given their vastly different personalities, that seems like a near-impossible task.

From the outset, it’s evident that A Real Pain isn’t driven by plot. Written and directed by Jesse Eisenberg, (who also plays the role of David), the film has no dramatic twists or grand narrative arcs. Even as it takes the shape of a travelogue, the film resists the temptation of a sweeping, cinematic canvas. When the characters arrive at historically significant locations, the focus remains firmly on their personal reactions rather than the historical context—those details are mere passing references.

And yet, the screenplay remains compelling. It navigates a delicate spectrum of confusion, empathy, and detachment that the characters experience in the shadow of these haunted places. There is a lot of humor, but beneath all those funny lines and chaotic moments, there is something profound and deep. It’s the bedrock of the film and you get a sense of it from the very beginning.

In one of the film’s best scenes, while travelling first class, Benji is unable to reconcile the luxury they’re enjoying with the brutal history of those very tracks, once used to transport their ancestors to concentration camps. He suggests they move to economy class out of respect, but the others dismiss the idea, unwilling to share his discomfort. Frustrated, Benji exits the compartment in quiet protest.

This film, in terms of its acting performances, does not give a staged feel. It was fluid in a way that makes you question whether it’s a story that is unfolding or something that demands your immediate attention, for the realism of it all. It’s fiction at its best, when lies say very true things. For me, that was Kieran Culkin’s performance in this movie. He brought so much of himself into the film that I didn’t know how much was him and how much was the part he was playing.

On The Graham Norton Show, where both actors appeared together, Kieran revealed that Jesse cast him without having seen any of his work. Having known him somewhat, Jesse said he cast him based on his “essence.” This may sound bizarre—especially for a part he had originally written for himself, drawn from his own family history and a Jewish heritage trip he had taken years earlier.

However, after watching some of Kieran’s promotional interviews, his real-life persona feels remarkably similar to that of Benji. That said, he also admitted in those interviews that he wasn’t initially convinced about taking the role. But thankfully, for movie lovers, things fell into place. It couldn’t have been any other way—so far as the casting of Benji and David goes, both were perfect for their roles.

Kieran now has an Oscar for Best Supporting Actor to show for his efforts. The character of Benji is, without a doubt, the true standout of the film—dynamic, wild, and impossible to ignore. Eisenberg writes him with such finesse; he’s someone you both hate and love at the same time. Someone you don’t want to be, yet are easily enchanted by.

The way David navigates Benji’s chaotic presence is what makes A Real Pain such a deeply fulfilling watch. The backdrop of a troubled family Holocaust history gives the film its much-needed layers. But at its core, it remains very much a family drama—intimate, relatable, one that will stay with you.

IMDb rating – 7.1/10

My Rating – 4/5

A Real Pain is streaming on JioHotstar in India.

***

About the author –

Siddhartha Krishnan is the author of ‘Two and a Half Rainbows – A Collection of Short Stories’. An enthusiastic blogger he shares his articles, essays, travelogues, book and movie reviews on his blog (www.whatsonsidsmind.com).

All rights of this review reserved by whatsonsidsmind.com

Adolescence | Review | A Haunting Dive into the “Why” of a Crime | Netflix

Written by Siddhartha Krishnan | 4 Min Read

Adolescence is a hard-hitting British drama series that defies categorization, shifting genres across its four episodes. It begins as a police procedural, evolves into a social drama, delves into the realm of an investigative/psychological thriller, and culminates in a family drama. But it’s true novelty lies not in this fluidity, but in its multifaceted exploration of a difficult subject—examining it from every angle with unflinching depth. Equally striking is its execution, with masterful cinematography and meticulously crafted scenes that leave a lasting impact.

The miniseries wastes no time, opening with the arrest of 13-year-old Jamie Miller, accused of murdering his schoolmate—a girl his own age. The police claim to have enough evidence to charge him, thrusting his parents into a nightmare they never saw coming. They believe in their son’s innocence; in the values they instilled in him. This is where the contract is signed with the audience, by writers Jack Thorne and Stephen Graham, and what follows makes for some gripping cinema. Graham also co-creates the series, and stars as Jamie’s father. His performance is one of the highlights of Adolescence.

One of the series’ most striking feature is its use of single continuous shots—each episode, nearly an hour long, unfolds without a single cut. The sheer planning and precision required to pull off such a feat is staggering, but the payoff is undeniable. This technique immerses the audience completely, whether inside the Millers’ home, a police station, a school, or even a moving car. The cinematography heightens the urgency, drawing viewers deeper into the unfolding tension.

However, at times, the dialogue feels repetitive. This may be an intentional choice—adding to the realism and avoiding a staged feel—but in places, particularly in the second episode, it slows the momentum. A tighter edit could have sharpened the impact without losing the authenticity.

The third episode is the standout, centering on the tense interrogation of 13-year-old, Jamie (Owen Cooper) by psychologist Briony (Erin Doherty). It plays like a film in itself—raw, emotionally charged, and deeply engaging. Both actors deliver spontaneous, natural performances that heighten the episode’s intensity, making every exchange feel immediate and real.

It’s in this episode that Adolescence truly soars, unraveling its deeper intentions. When asked to classify the series, Erin Doherty cited writer Jack Thorne, saying, “It’s not a whodunnit but a whydunnit.” The show isn’t just about solving a crime—it’s about understanding the motivations behind it. The creators dig deep into the psychology of their characters, examining parenting, masculinity, sexuality, peer pressure, and the relentless need for validation among teenagers in the age of social media.

Adolescence deserves to be in the Emmy conversation next year across multiple categories. Watching it, I was reminded of Baby Reindeer, another British drama that swept the 2024 Emmys. Both series tackle difficult subjects with unflinching depth, refusing to look away. And like Baby Reindeer, Adolescence is not an easy watch.

Here, the prime accused—if we were to call this a crime drama—is a teenager. The devastation his family endures is harrowing, making parts of the series deeply unsettling. Yet, it ends on a note of hope, particularly in its exploration of parenting. It confronts generational trauma—how it seeps through unnoticed, despite our best efforts, shaping us in ways beyond our control.

With its powerhouse performances, gripping screenplay, and fearless honesty, Adolescence is essential viewing—especially for parents and teenagers.

Verdict:

IMDb rating – 8.4/10

My Rating – 4/5

Adolescence is now streaming on Netflix.

***

About the author:

Siddhartha Krishnan is the author of ‘Two and a Half Rainbows – A Collection of Short Stories’. An enthusiastic blogger he shares his articles, essays, travelogues, book and movie reviews on his blog (www.whatsonsidsmind.com).