Total Recall | Back to 90s | Final Chapter

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By Siddhartha Krishnan 5 Min Read

They say,

“Nostalgia is a dirty liar that insists things were better than they seemed.”

We humans are often guilty of picking the rosy parts from our past in a bout of nostalgia. In other words, we crib about our “now” only to say good things about it, years later. Hence, a retired man sheds tears of joy when he recalls his glory days under the sun, a hapless lover—now happily married, laughs when he recollects his failed attempts at finding love and a successful corporate person, who was once an inattentive student, smirks when he remembers a cheating episode during an examination.

In this context our reminiscences of the 90s era could be as flawed as the decade itself was. Come to think of it—the 90s began with an assassination and ended with a hijacking. In between there was the demolition of a mosque, terrorist bombings, riots, several political upheavals and even a war. Hence, it is safe to say that this wasn’t a golden era by any stretch of the imagination. In many ways, it was a decade like any other, with its own share of the good and bad. The 90s too grew out of the doings of previous generations as any other decade prior to it.

Hence, let us pause for a minute and ask ourselves – What was different in this decade and why do we 90s kids repeatedly go gaga over it?

The answer may be found in two major events that took place in the 90s and which turned out to be game changers for a country which at that time was struggling to stand on its feet. These were the Economic Liberalization of India in 1991 and the Declaration of India as a full-fledged Nuclear State in 1998. Both these events managed to challenge the status quo and gave the country a chance to become a probable superpower of the future.

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While economic liberalization opened up the economy to private and foreign investment thereby creating lakhs of job opportunities in multiple sectors, the success of the Pokhran-II nuclear tests ensured, that India was a force to be reckoned with, in a hostile neighbourhood, while also providing an alternative source of energy to a nation, which was fast depleting its resources. We can debate about the good and bad aspects of these policies, which were initiated by two different governments, belonging to two distinct ideologies (one secular and the other nationalist), but there is no doubt that these were defining moments in our post-independence history.

For the civilian population, the effects of economic liberalization were more visible and as a result, the kids of the 90s, like me, were witness to a few firsts. Among these were the advent of satellite television, introduction to the first PCs/Mobile phones/CDs & DVDs and the emergence of the world wide web. Apart from technological breakthroughs there were many FMCG products that were introduced into the Indian markets, during this decade, which became part of our daily lives.

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But in my opinion what set us apart from the generation before us, which lived in the protectionist era and the generation that came after us, post the turn of the millennium, was the convergence of the old and new in a way that had never been seen before. It is this aspect of growing up in the 90s which I want to delve into because in my opinion this is the differentiating factor.

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The fact that we 90s kids lived dichotomous lives was no secret and we showed off this duality unabashedly. Since, the new had just arrived, the old still had its relevance. So, we played street games like Pithoo or Kho Kho with the same fervour with which we indulged ourselves in video games like Mario or Contra. Detective Byomkesh Bakshi’s keen sense of observation appealed to us as much as Mulder and Scully’s adventures with the paranormal in the X-Files. And, during lunch break, at school, pen fights were as enjoyable as a game of trump cards.

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There was no danger of being side-lined since newer traditions were just beginning to make its way into our lives. Hence, it was cool to climb trees, get drenched in the rain or play Gili Danda while also learning to toggle our joysticks efficiently to move to the next level of a video game. The 90s, in that sense, was a nice blend of the old and new, a kichdi of sorts.

My fondest recollections of the 90s, oddly, are the simple experiences, which I cherish till date. Like,

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Enjoying a bar of ice-candy in the 40-degree heat of Palakkad (my hometown in Kerala) while turning the pages of my favourite comic books which included the likes of Marvel, Amar Chitra Katha, Tinkle and Chacha Chaudhary. The delicious ice-candies, made from fresh fruits, turned out to be as unputdownable as the comics I read.

Similarly, in Kolkata (where I spent most of my growing up years), after a gruelling game of gully cricket, we would usually treat ourselves to a glass of Fountain Pepsi—a new arrival into the Indian market at that time. However, a glass of Shikanji at the Maidan, also revived our spirits equally.

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This dichotomy could be seen in the entertainment we sought as well. The Bollywood movies of the 90s were outright bad barring a few exceptions, hence we found solace in the TV programmes of that era. Thanks to satellite television, TV channels like ESPN, Star TV and Cartoon Network had just hit our TV screens and watching WWE on ESPN or Flintstones on Cartoon Network with friends was something we looked forward to in the weekends. But we were equally eager to see what Swami & Friends were up to in Malgudi Days or what mischief Nitu Singh and Noni Singh were going to cause in the next episode of Philips Top 10 due to their ignorance?

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However, apart from entertainment, satellite television and later the internet, gave us something that was going to be pathbreaking. This gift of the post liberalization era was access. Thus, Sachin’s straight drive of a 6’5” Australian fast bowler became as aspirational as the rhythms created by Rahman’s piano. A rendezvous with superstar Shah Rukh Khan or Tom Cruise was as inspiring as an interview with emerging business leaders like Narayana Murthy or Bill Gates. And, we realized what Sanjeev Kapoor was doing inside the kitchen was a subtle art and that he wasn’t a “Bawarchi” but a chef.

Today, as the balance shifts heavily towards the new with each passing day, I feel it is this dichotomy and specifically the simpler moments, that we crave for the most. Think about it—We aren’t really complaining about the creature comforts that we have currently and the subsequent materialism that came with it. But neither are we fully adhering to the ways of today, like our children are doing. It’s a strange conundrum that we find ourselves in.

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So, when we cajole our children to watch the cartoons and TV programmes, we once watched or introduce them to the games that we played or take them to theme resorts which kindle old memories, it’s the longing for the old, that is manifesting itself. While, we are comfortable with ways of a fast-changing world, there is still a deep yearning for the simpler times.

At a time when the world is under the grip of a deadly pandemic and humanity is locked inside their homes while nature reclaims its spaces—I urge the kids of the 90s to contemplate and decide what they want to take from their experience of the 90s and pass onto their children which might enrich their lives.

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It’s a difficult question to answer, considering the complexities but one that you must seek an answer to.

Reliving the Malgudi Days | Back to 90s

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By Siddhartha Krishnan . 4 min read:

I fondly remember those days, when an iconic opening tune would start playing and a black and white sketch of a railway station appeared on our TV screens. At once, we abandoned everything and sat in front of the TV with the whole family, to find out what is happening in Malgudi? Those were the 90s, when things were a lot simpler and laid back.

Even after all these years, whenever I think about this TV series, invariably a smile comes onto my face. I’ve often wondered why?

Perhaps, it’s because “Malgudi Days” is like a box of assorted chocolates – disparate episodes, each with its own unique flavor, but all set in one fictional town, showing the struggles of regular people, like you and me. This is what differentiated this iconic television series from the rest because it managed to directly connect with its audience, by telling fictional human stories in a realistic but engaging manner, the credit for which must be given to the great Indian writer R. K Narayan.

For all my readers, who are based out of India and who have not heard about this TV series, let me give you some context. “Malgudi Days” is based on a collection of short stories by the same name, written by R.K Narayan, which was first published in 1943 by Indian Thought Publications. The book was later republished outside India by Penguin Classics in 1982. However, some episodes of the TV series are based on Narayan’s later works eg. The Horse and Two Goats.

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R.K. Narayan’s great ability was to tell the story of ordinary people, in a simple and unpretentious manner. Whether humor or melancholy, he managed to pull both off with subtlety and nuance. It is because of this realism, which he managed to bring in his stories, that some critics have compared him to the great Russian short story writer Anton Chekhov. He has also been compared to Guy De Maupassant because of his great ability to compress a narrative without losing the story, which the Pulitzer prize winner Jhumpa Lahiri, has also testified.

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The TV series which is an adaptation of R.K Narayan’s book, was mostly shot in Agumbe village in Shivamogga district of Karnataka and was directed by Kannada actor/director Shankar Nag. The first episode was premiered on Doordarshan on 18th March 1987. Shankar Nag directed the first 39 episodes of the series. Each episode was around 20-25 minutes long. In 2006, another 15 episodes were aired on Doordarshan, directed by Kavitha Lankesh, who had replaced Shankar Nag. The music score, including its much-loved opening tune, was composed by Carnatic musician L. Vaidyanathan.

The other standout feature of the TV series was its sketches, which were done by the famous cartoonist R.K Laxman (R.K Narayan’s younger brother). A stellar cast including the likes of Anant Nag and Girish Karnad, expertly portrayed complex characters on screen, which we fondly remember even today.

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Back in the 90s, neither did we have the comfort of private viewing on mobile phones nor the luxury of digital entertainment platforms like Netflix or Amazon Prime Video. During those days, watching a television show used to be a family affair and, in the villages, it used to be a community affair. There was bonhomie and camaraderie among people, since everyone seemed to have a lot more time on their hands.

Although, the Indian mythological epics – the Mahabharata and Ramayana were the most popular TV shows during those days, I for some reason grew a fondness for “Malgudi Days”. This is not to say that I didn’t like those TV shows, but I was somehow able to connect more naturally with this TV series. This I assume was because of its realism. The characters somehow felt like the next-door neighbor or the shopkeeper down the alley or a friend at school. Simply put – people I could relate to.

To illustrate this point, let me take you through some of my favorite “Malgudi Days” episodes (my top 3 – not in any order). It will give you a taste of what to expect from the TV series, in case you haven’t seen it:

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A Horse and Two Goats – Muni, a poor Indian goat herder, is in desperate need of money, but is too lazy to make any significant effort, to change his destiny. He opts instead, to get into a sly transaction with a foreigner, who mistakenly thinks that an ordinary horse statue is of considerable value. The inability of the two to communicate with each other due to their language barrier, makes for some interesting viewing.

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Iswaran – a young man harbours a strong desire to get into university but is unable to clear his intermediate examinations, despite multiple attempts. Due to constant societal pressure, he starts to doubt his own abilities, and is ultimately driven to insanity.

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Roman Image – is the story of an extrovert who gains the trust of a renowned archaeologist. Thus, begins an excavation wherein he finds a statue on the bed of the Sarayu river, supposedly of Roman emperor – Tiberius II. This generates a lot of media attention, but later the protagonist finds out that the statue is from a nearby temple and it is not as old as he had thought. The story attempts to expose the incompetence of experts and the foolhardiness of superstitious people.

The above is just a glimpse of what is on offer. From humor to melancholy to satire, different tones are employed, to tell a compelling story on a range of topics, all set in one fictional town.

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Another unique characteristic of these stories, is that their message has universal appeal, due to which these tales have become timeless classics. In R.K Narayan’s own words, Malgudi could have been a town anywhere in the world because its characters are people everyone can relate to.

In memory of this TV series, the Arasulu railway station in Shivamogga district is being renamed as Malgudi railway station and a “Malgudi Days” museum is being constructed near it. Artist John Devaraj is heading this project to ensure that the desired result is achieved.

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Sadly, today for some reason there is a dearth of good human stories, be it books, television or movies. There is a lot of negativity which is being spewed in the name of entertainment; reality TV shows (some of them) being a good example of it. Also, news has become a form of entertainment where inconsequential but polarizing debates are sold to the public. The result is toxicity which is not good for society in the long run.

I can understand that negativity sells but are there no good stories to tell? There are a lot of good people out there, aren’t their stories worth telling? I’ve become bored of this business of hate and desperately want the good stories to return to our books, television and films.

Maybe, it’s time to take a leaf out of “Malgudi Days” and be inspired by it, once again. It’ll be like a breath of fresh air or should I say a box of assorted chocolates?

For those who wish to see this TV series, the entire series is available on Amazon Prime Video with English subtitles. Most episodes are also available on YouTube in multiple Indian languages.

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Source:

wikipedia.com

economictimes.indiatimes.com

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